1. “The Hours”, by Michael Cunningham, is a rewriting of Virgina Woolf’s “Mrs. Dalloway”. What are the similarities and differences between these two novels?
The title “The Hours” is the first similarity between Cunningham’s and Woolf’s novels: not only “The Hours” was the working title of “Mrs. Dalloway”, but the passing times of the day (the morning, the afternoon, the evening) are important marks in both novels. From this similarity, we can approach another one: both stories happen in the period of one day, but, from what happens on that day, the characters activate memories of their past, in a way that the narrative moves back and forth in time.
Besides the structure of time, “The Hours” mirrors “Mrs. Dalloway’s” narrative techniques regarding perspective: both novels are structured in a stream of consciousness from their characters. A good example of this connection between the two novels is the episode with the mysterious black car, in “Mrs. Dalloway”, and the episode in which there is a celebrity in a store in New York city, and people wonder about it. In both episodes, it is possible to follow the thoughts of people on the street, wondering about the black car or the celebrity. The episodes puts in evidence several shifts on perspective.
However, in “Mrs. Dalloway”, Clarissa Dalloway is the main character, and the narrative progresses as we follow one day in her life. In “The Hours”, on the other hand, we have three main characters – also female: Virginia Woolf, Mrs. Brown and Clarissa Vaughan. It is important to notice that even in this difference, we can find a point of connection between the two novels because what relates these three characters is Woolf’s novel: they all have their lives touched by “Mrs. Dalloway” somehow, and, of course, one of these characters is Virginia Woolf herself, the author of the novel.
Many parallels can be established between the situations experienced by the characters in “Mrs. Dalloway” and “The Hours”. For example, in the former, we see the encounter between Clarissa Dalloway – who is planning a party for her husband – and Peter, a former lover of hers. In the later, Clarissa Vaughan is also preparing a party, and it is for her former lover, Richard. So, from these simple remarks, there are three threads of connection: the name of the characters, the presence of a former lover, and the situation of planning a party (which is also faced by Mrs. Brown, another character in “The Hours”, who is also planning a party for her husband). Going further on these connections, we notice that just like Septimus Warren struggles with post-war traumas in “Mrs. Dalloway”, Richard struggles with AIDS in “The Hours” – both men are facing illnesses of their times. Still, Warren’s illness is of a mental nature, just like Virginia Woolf’s mental illness in “The Hours”. All of these three characters end up killing themselves, making suicide a common theme between the two novels. {excellent writing and understanding of both novels!}
2. What did you learn about “Lolita”, by Vladimir Nabokov?
In “Lolita”, a hebephile adult man, under the pseudonym of Humbert Humbert, tells the story of his relationship with Lolita, a girl who was only twelve years old when he met her. “Lolita” is what he called her, and the fact that this is the title of the novel may be a hint of what the reader finds in it: Humber’s own perspective and narration of how he met and became involved with this girl, of Lolita as his memory.
In our contemporary and critical vision of this involvement, we know it is a criminal and unethical relationship from many points of view. However, as the novel is narrated in first person, we only have access to Humbert’s perspective, who narrates the story as a romantic and sometimes even erotic pursuit.
Due to the story’s narrative perspective, we can only indirectly envisage Lolita’s behavior, reactions, and speech, always from Humbert’s perspective, who is a typical example of an unreliable narrator, a criminal in the death row, often made an in-patient for psychiatric disorders. Reading Humbert’s memories, we learn that in his childhood he had a physically unfulfilled love with a young girl named Annabel Leigh – in this point, the novel establishes an intertextual relation with Edgar Allan Poe’s poem of the same title, in which the author reminisces a childhood love relationship with a girl named Annabel Leigh. Humbert attributes his obsession with girls from a certain age – usually nine to fourteen – to his frustrated youth love.
The success of the novel is due to how Nabokov was able to build a complex story, mobilizing long-standing issues of narrative building, such as narrative perspective and the reliability of the narrator. {good!}